Later, he continued musing this way as he lay unexamined, on a hospital bed left in the hallway, abandoned to the melee of a beleaguered Accident & Emergency department and numbed by painkillers hastily administered by an overworked junior doctor. What is the value in a love rich at its inception but now fading forever to black? Is this value inclusive of and worth what can never again be retrieved? What more than the seasons is given over to a love? What of myself has gone forever? What of myself is trodden into the earth as brown leaves of autumn into wet soil, to be lived again somewhere else with someone else, nourishing the next dinner, the next pregnant silence? What more significant benefit is found in the repetition of it all until another set of seasons follow the same journey of a tear meandering down the contours of a cheek?
#Chrome thread unfolder driver#
What of ourselves do we give to another?, he wondered, swerving to avoid an ignorant driver lurching out of a side street without looking his way. He’d noticed the track had helped sustain a consistent cadence with his single gear and as luck had it also seemed to help temper disillusion at what he had been struggling to understand about time in his life. A creature of looping habit, it was the one he had chosen to play during the cycling segments of the past week. The track in question here was number three on the album. He manipulated the output of tapes that degraded through excessive use, the sound of wear and tear, mournful odes to the erosion and decay of time. The album was by William Basinski, an electronic music composer, who specialised in creating elegiac ambient sound, known for his repetitious explorations of sound through analogue recording devices as crucial components in the creation of his ethereal soundscapes. You see, ten minutes (or thereabout) was near the length of the track Variation III from the album Variations: A Movement in Chrome Primitive.
#Chrome thread unfolder movie#
A length of time he’d considered a reasonably accurate gauge, guided as he was by a timer soundtracking this micro action movie of his that was slowly turning into an introspective arthouse chore. Then again, ten minutes could also be considered a lifetime, if, during this time he had seen (whom he later understood to be) death riding casually alongside him, waving at him through refracted shop window reflections with a somewhat sardonic expression on its face. Ten minutes isn’t much time to process both the end of a relationship and the potential loss of the use of one’s limbs. Was this it? Was his life now about to change irrevocably? He’d often perversely anticipated a moment like this on the timeline of his life a jolt of something, anything. He couldn’t feel his legs and lay there helplessly wondering whether this was it.
It doesn’t show any RTs, Like buttons, dateline, replies, just the text and the media if included in those tweets. The Spooler page will show that threaded tweet into something like a blog post. You just need to copy the link of the threaded tweet you want to unfurl and paste it to the online tool Spooler to spool that long tweet into a blog post. This takes all those tweets available in a threaded tweet and put them together to serve you something like a blog post. The first tool that lets you unfold a threaded tweet like a blog post is Spooler. However, there are a few ways with the help of which you can read the threaded twee like a blog post. It’s actually painful to open each tweet as it’s quite time-consuming.
The users have to click on each tweet, expand it and see what’s inside it. But, those who read them aren’t enjoying this feature at all because as a reader you’d need to go through a big threaded tweet. Twitter users have been using the threaded tweet feature that lets them post long content by replying to their own tweets.
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